Partitions Numériques de As It Was pour 2 Saxophones, Piano

Instrumental Duet Alto Saxophone,Instrumental Duet,Piano - Level 4 - SKU: A0.532815 Composed by Jules Demersseman. Arranged by Paul Wehage. Concert,Stan...(+)

Instrumental Duet Alto Saxophone,Instrumental Duet,Piano - Level 4 - SKU: A0.532815 Composed by Jules Demersseman. Arranged by Paul Wehage. Concert,Standards. Score and parts. 25 pages. Musik Fabrik Music Publishing #37187. Published by Musik Fabrik Music Publishing (A0.532815). Jules Demersseman was born on January 9, 1833 in Hondschoote, a small town in the north of France now near the border of Belgium. He entered the Paris Conservatory in 1844 in the class of Jean-Louis Tulou and won a first prize in flute in 1845. Demersseman had a career as a pedogogue and soloist, often performing his own compositions. A close friend of Adolphe Sax, he wrote some of the first works ever written for the saxophone, as well as for the saxhorn and for Saxâ€˜s valved trombone, most of which were published by Sax himself.. Demersseman died in Paris on December 1, 1866 at the age of 33. The thÃ¨me of this set of variations was probably originally written by the 19th century Flute Virtuosos Paul-Agricole GÃ©nin (although it may also be of traditional original) and was used as a subject for variations by such composers as Bosch, Liszt and Arban, among others. Demersseman wrote a number of versions of this work, including an orchestration for wind band.

$11.55

Adolphic Vignettes

Adolphic Vignettes #2 Saxophones, Piano #AVANCÉ #Brandon Nelson #Adolphic Vignettes #Brandon Nelson #SheetMusicPlus

Instrumental Duet Alto Saxophone,Instrumental Duet,Piano - Level 5 - SKU: A0.912910 Composed by Brandon Nelson. Concert,Contemporary. Score and parts. 1...(+)

Instrumental Duet Alto Saxophone,Instrumental Duet,Piano - Level 5 - SKU: A0.912910 Composed by Brandon Nelson. Concert,Contemporary. Score and parts. 10 pages. Brandon Nelson #1954845. Published by Brandon Nelson (A0.912910). Commissioned to commemorate the 200th anniversary of Adophe Saxâ€™s birth, each of the movements of this piece (beyond the expository prelude) presents miniature vignettes of music written in Belgiumâ€™s past as seen through the lens of Saxâ€™s invention. It is, in that sense, an homage to not only the great musical minds that came before Sax, but also to his own keen inventive mind and incomparable contributions to music history. The Postlude involves a curious intersection of Sax with another brilliant musical mind: Richard Wagner. Sax was the stage director for a performance of Wagner's Tannhauser, and he put some saxophones offstage with French horns because he couldn't find enough horn players in Paris. Wagner was so angry he rescored the Shepherd's Tune from Act 3 of Tristan und Isolde from saxophone to English horn. A portion of that tune appears in the Postlude to this piece, rectifying this petty bit of vengeance for Sax. Learn more about me at: bnelsonmusic.wordpress.com.

$7.99

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